It’s unbelievably hard to realize that the first album these geezers released back in 1974. 1974! 44 years ago. And Firepower shows that Halford & Friends still know how to play, you know, that cool heavy metal. This album is definitely better than their previous two records — Nostradamus and Redeemer of Souls and may be better than Angel Of Retribution (I listened to that one a lot in 2005 when it was released and liked it a lot, so it’s difficult to compare). The music is rather simpler, there are no obvious hits but in general I got an impression as if Judas Priest had finally given up on trying to be innovative and just returned to what they do really well.
They’re playing in London on March 27 so let’s wish them to be in good health — for them this is the most important thing now, hehe.
Went to a Mudmen concert yesterday. These guys proudly call themselves Canadian Celtic Rock Warriors and it’s hard to say that this title is undeserved. Their own songs are good (on the latest album, Old Plaid Shirt, they became slightly more lyrical and slightly less, you know, “Drink and Fight!”-ish but that’s still nice, can’t get out the title song out of my head), their cover songs might be even better — all people enjoy listening to good old Irish songs like “The night that Paddy Murphy Died” or “Irish Rover”… But what makes Mudmen unique is that the band was founded by two brothers who play bagpipes! Bagpipes for the win.
I would also praise the Mudmen’s drummer — great job!
It was a bit weird but fun that one of Campbell brothers before the show started went to every table and offered earbuds, mentioning that “it’s going to be loud”. After the Exodus concert I guess we have nothing to fear. The same brother was also making faces when someone was filming a song, smiling all the time and in general looked as if playing at a tiny place with people seating had always been his biggest dream.
London Music Club (yep, now I’ll always be confusing LM Hall and Club) is a nice small place, with fine beer and decent sound. The owner himself does a huge chunk of work — he was at the doors checking tickets, he took away empty glasses and bottles and once I met him in the men’s, hm, washrooms when he was cleaning up after someone, evidently, had thrown up. It’s great that this club exists (and it’s located just 3 blocks away from our place, hehe), so thanks to him and other staff. The audience consisted mostly of people whose average age is closer to 50 or even maybe 60 — that was surprising. I wish I’d be like them when I’m 50, that I’d be able to go to club, order a couple of beers and listen to good music.
Чуваки из Эпидемии сегодня выложили новую часть их метал-оперы, “Побег на Ксентарон”. Достойное продолжение, хотя сюжетно понятно далеко на все (благо, сценарий тоже выложен). Мне как обычно понравилась самая попсовая песня “Я иду за тобой”, но всякие “Преображение” и “Когда уснут драконы” тоже неплохи.
Ugh-huh! Slayer have announced that they’re doing that last tour… and that’s it. Big news.
In its turn, Sodom (Tom Angelripper) told the world that this band is going to make a fresh start:
“TOM ANGELRIPPER ANNOUNCES NEW LINE-UP
German cult thrash act now a quartet, Frank Blackfire returns
New single out in summer 2018, album to follow in spring 2019 “
What a time to be alive.
This was one of the best concerts I’ve seen in years. The sound in London Music Hall was waaay better than at the Exodus’ show, Anthrax played virtually all their songs I’d want to hear live (except for “I’m The Law” and “N.F.L”, shame on them) — just a couple of pieces from their two latest albums (not their best albums, certainly) and mostly oldie but goodie from “Among The Living”, “Spreading The Disease” and “State Of Euphoria”. I didn’t expect that I’d enjoy the show so much — yeah, Anthrax is probably in my top 10 favorites but A) they are kind of old; B) as I said, they wouldn’t have lost much if all their albums after “Persistence Of Time” didn’t exist. But seems that the atmosphere of a packed concert (the event was sold out) and music I’ve been listening to for many years (and therefore could yell words here and there) improved the experience dramatically.
Random notes: when we just arrived there had already been a huge line in front of LMH. I’d say that 90% of people weren’t wearing anything warmer than a hoodie and we’re really worried that there wouldn’t be a place to hang our jackets. Turned out that LMH did have a coat check but it costed $4, so no wonder many people decided to spend their money on something else instead.
Havok have released 4 albums and 3 of them are pretty good so I’d been looking forward to hear them live — and the band lived up to my expectations. They played without any mistakes and sound was good, I only wish they’d played more songs from their “Time’s Up” record. Their new bassist is a badass, although his appearance stands out a bit (and those illuminated dots on his bass, oh boy…)
I didn’t really get all the euphoria related to Killswitch Engage but apparently these guys are very popular — I’d estimate that half of the crowd came there just to listen to their songs (for me it sounded like they played 2 songs but repeated either 5 or 6 time). Holy Diver was awesome though, especially because Beladonna was singing the last verse.
Beladonna is a great live singer, I really was pleasantly surprised by this fact (and he’s very active on stage despite his age). The stage for the Anthrax’ part of the show was significantly re-done — a huge platform for the drum set with steps from either side, smoke machines, all that stuff.
The last thing: setlist
Хых, а Эпидемия-то готовится выпускать новую часть Эльфийской рукописи
Thanks to Anthrax who might’ve recorded more cover songs than their own I learned about the band Kansas. Wouldn’t say that they are especially impressive but this song is not bad (although I like the Anthrax’ version better)